Nightingale garden block read analysis. Essay “Analysis of A. Blok’s poem “The Nightingale Garden.” “The Nightingale Garden” by A.A. Blok

Analysis of A. Blok’s poem “The Nightingale Garden”

There are two roads in front of the hero of the poem. One is work, hard and monotonous. The other is the love of a beautiful woman, the peace and charm of the nightingale’s garden. The hero leaves his miserable hut and his faithful assistant donkey and goes there, to the alluring nightingale garden. But very soon he realizes that happiness was there, on the rocky paths along which he walked with his donkey. The hero leaves the beautiful garden and his tender beloved, but too late. Neither his hut nor his donkey are any longer there, and another man is descending along the path trodden by his feet.

The poem contrasts two themes. The first is everyday prosaic life, filled with content and action. The second is a heavenly life, without work or purpose. The text of the poem consists of seven chapters. From the very beginning, the first theme arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero finds himself in the garden. Only four stanzas are devoted to being in the garden, the second theme. And then the first theme appears again, but this is no longer life filled with content and action, but the result of being in the garden - loneliness, the meaninglessness of existence.

Behind the fence of the Nightingale Garden, the hero “breaks layered rocks,” his “mind is clouded by knowing,” he “dreams of another life.” And in the nightingale’s garden the hero, “intoxicated with golden wine,” “forgot about the rocky path.”

When the hero’s stay behind the garden fence is described, “heavy” words are used: “drags,” “pieces,” “starts to scream.” And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “the nightingale’s melody,” “streams and leaves whisper,” “streams began to sing.”

K. Chukovsky reproached A. Blok for the “excessive sweetness” of “The Nightingale’s Garden.” But it is possible to “justify” the poet. The description of the garden can only be “overly mellifluous.” Because such a life cannot be depicted in any other way; no other description can be applied to it.

The image of the sea plays a large role in the poem. The sea symbolizes everyday life, the “rumble” is endless, hard work, noise, life. The “life curse” does not reach the Garden of Eden, but there is no life itself there. The hero is drawn back to the everyday life he abandoned, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost; the nightingale’s song cannot drown out the “rumble of the sea.”

The main idea of ​​the poem, I think, is precisely this.

To the hero’s question: “Will there be punishment or reward if I deviate from the path?” Blok answers at the end of the poem. It is not for nothing that he gives a scene of a clash of crabs in the poem. This scene emphasizes the depth of the hero’s loneliness, which arose due to the fact that he deviated from the path.

The poem “The Nightingale Garden” is considered romantic. The period of writing this poem is a transitional period in the writer’s work. The transition from symbolism to realism is reflected in the poem. There are a lot of symbols here, even when describing real life, a lot of romance. But realism wins.

The short poem “The Nightingale Garden” (1915) is one of Blok’s most accomplished works. (It is no coincidence that Blok was often called the singer of “The Nightingale’s Garden”). It reflected the poet’s constant thoughts about his place in life, in the social struggle. The poem helps to understand the very important “turn in life” for Blok from individualism towards rapprochement with the people.

Schoolchildren read "The Nightingale's Garden" with interest. What is the best way to organize work on this poem? It is useful to give each chapter a title. This will allow you to see a very harmonious, clearly thought out composition of the poem.

The plan might be something like this:

1. Tiring work and heat.
2. Dreams about the "inaccessible fence" of the nightingale's garden.
3. The desire to enter the garden.
4. "An alien land of unfamiliar happiness."
5. “The nightingale’s song is not free to drown out the roar of the sea!”
6. Escape from the garden.
7. Loss of a former home, job and friend.

After reading the poem, we offer the students a task: using the text of the first chapter (and partly the subsequent chapters), trace how the hero’s hard working life is depicted and what is contrasted with it in the poem. They will notice that the chapter is built on contrasts. The “poor, destitute man” lives “in a cramped hut,” his work is exhausting (“a tired donkey,” “it’s gratifying” that he is walking lightly even back.”) And in the garden “the nightingale’s melody does not cease, streams and leaves whisper something.”

In the first chapter, built on contrasts, it is not difficult to detect two opposing lexical layers. The prosaic vocabulary used to describe everyday work (drags, shaggy back, hairy legs, etc.) gives way to romantically upbeat speech when he sings and talks about the nightingale’s garden. The content of the first chapter, which is an exposition, speaks naturally and logically, motivating the events of the second chapter, which constitutes the plot of the plot: a beautiful, mysterious nightingale garden, contrasted with joyless work, gives rise to dreams of a different life.

It is interesting to follow in the second chapter how the hero’s dream of an “impregnable fence” of the garden develops. At the same time, you should pay attention to how Blok was able to convey the power of a persistent dream and reveal the hero’s spiritual world. Something unprecedented is happening to him. Thoughts about the possibility of another life cause dissatisfaction with one’s fate (“And what am I, a poor, destitute man, waiting for in this cramped hut:?”), a revaluation of one’s usual work, which is now perceived as a “life of damnation.” The incessant nightingale's melody, "Her" "circling and singing", persistent dreams evoke "hopeless languor" that filled the entire soul, crowding out everything else.

Sketches of nature play an important role in the second chapter. They help to understand how the idea of ​​escaping from the “life of curses” into the calm and serene nightingale garden arises and matures. Dreams and longings appear in the evening hour, when “the sultry day burns out without a trace.” Signs of the coming night are mentioned several times: “in the sunset fog,” “darkness of the night,” “in the blue twilight.” In the sultry evening fog and then in the darkness of the night, clear outlines of objects are not visible; everything around seems unsteady, vague, mysterious. “In the blue twilight, a white dress” flashes like some kind of ghostly vision. “Incomprehensible” is the name given to the chant heard in the garden. With her “whirling and singing,” the girl beckons to her like a magical, fairy-tale force.

Everything connected with the nightingale’s garden is closely intertwined in the hero’s mind with persistent dreams of an unknown life. It is difficult for him to separate the real from the fictional and fantastic. Therefore, the attractive and alluring garden seems inaccessible, like a bright dream, like a pleasant dream. The poet very emotionally and psychologically convincingly shows the impossibility of getting rid of this yearning. Therefore, it is not difficult to say what will happen next: the hero will inevitably go to the nightingale’s garden.

In the third chapter, the “dialectic” of a difficult spiritual struggle is revealed to the reader. The decision to go to the nightingale garden does not arise so suddenly, suddenly. Having abandoned the donkey and the crowbar, “the owner wanders in love,” he again comes to the fence, “the clock is following the clock.” “And the languor becomes more and more hopeless” - it must soon be resolved. And it will probably happen today. A well-known road seems mysterious today. “And the thorny roses fell today under the draft of dew” (Obviously, they will not detain a guest with their thorny thorns if he heads into the garden). The hero is still only asking himself the question: “Is there a punishment waiting for me, or a reward if I deviate from the path?” But if we think about this issue, we can say that essentially a choice has already been made. “And the past seems strange, and the hand cannot return to work.” A turning point in the hero’s soul has already occurred; it is clear to us that he, not satisfied with his previous life, will try to fulfill his dream.

The fourth chapter, which tells about the achievement of a cherished dream, is logically clearly distinguished from the previous one and at the same time naturally connected with it. The “bridge” connecting them is the phrase: “My heart knows that I will be a welcome guest in the nightingale’s garden:.” The new chapter begins with a continuation of this thought: “My heart has spoken the truth:.” What did the hero find behind the impregnable garden fence?

Along the cool road, between the lines,
The streams sang monotonously,
They deafened me with a sweet song,
The nightingales took my soul.
Alien land of unfamiliar happiness
Those who opened their arms to me
And the wrists rang as they fell
Louder than in my poor dream.

Why did the poet consider it necessary to reveal to the reader all the charm of this heavenly bliss?

The dream did not deceive the hero; the “alien land of unfamiliar happiness” turned out to be even more beautiful than it was in the lover’s dreams. He reached the pinnacle of his bliss and forgot about everything else. The situation in which the “poor and destitute man” finds himself is capable of charming and captivating everyone. Few would be able to resist the temptation to surrender to this wonderful, almost heavenly life, to refuse the opportunity to experience happiness. And it is quite natural that the hero, having reached the pinnacle of bliss, “forgot about the rocky path, about his poor comrade.”

This phrase leads us to a new “key,” a new chapter, a new thought. Is it possible to forget your comrade, your work, your duty? And did the hero of the poem really forget about all this?

Let her hide from long-lasting grief
A wall drowned in roses, -
Silence the roar of the sea
The nightingale's song is not free!

“The roar of the sea”, “the roar of the waves”, “the distant sound of the tide” turn out to be much stronger than the nightingale’s song. This is quite true from the point of view of simple plausibility. Let us remember at the same time something else. The nightingale and the rose are traditional images of tender love in world lyric poetry. For many poets, the sea acts as a symbol; we can say that Blok affirms the need to subordinate personal interests to public ones.

Despite everything, “the soul cannot help but hear the distant sound of the tide.” The next, sixth chapter talks about the escape of the hero of the poem from the nightingale garden. Let's ask students questions:

What is the role of the sixth chapter of the poem?

Was it possible to do without her?

Why not simply write that the hero left the garden as soon as he realized that this had to be done?

Chapter six makes the reader feel how difficult it was to leave the garden. The hero was enchanted not only by the coolness, flowers and nightingale songs. With him was a beauty who discovered “an alien land of unfamiliar happiness.”

She is not an evil sorceress, a temptress who lured her victim in order to destroy. No, this is a caring, passionately loving woman, childishly tender, sincere and trusting.

She drinks, smiling like children, -
She had a dream about me.

She is concerned, noticing some kind of anxiety in the soul of her lover. It is difficult for the hero to leave the garden not only because he deprives himself of bliss. It’s a pity to leave such a pure, trusting, loving creature and to destroy “her” happiness. And you need to have great mental strength in order to leave the beautiful garden, no matter what, responding to the call of life. Without seeing these difficulties, without learning about the happiness that the hero of the poem is forced to give up, readers would not be able to understand and appreciate his action.

What new thought is connected with the seventh and final chapter? It would seem that, having left the nightingale's garden, the hero will continue his work as before. But in the same place there was neither a hut nor a donkey, only a rusty scrap covered with sand was lying around. An attempt to break a stone with a “familiar movement” meets resistance. The “agitated crab” “rose up, opening its claws wide,” as if protesting against the return to work of someone who had already lost the right to it. Another one has now taken his place.

And from the path trodden by me,
Where the hut used to be,
A worker with a pick began to descend,
Chasing someone else's donkey.

The attempt to escape from the “life of curses” into the serene nightingale garden did not go unpunished. The seventh chapter of the poem leads us to this thought.

After familiarizing themselves with the contents of all chapters, students draw a conclusion about the significance of “The Nightingale Garden” in the debate about the role and purpose of the poet. With his poem, Blok argues that the poet should actively participate in public life and fulfill his civic duty, and not take refuge in the serene garden of “pure art.”

We invite students to name the poets of “pure art,” Blok’s predecessors and teachers. Remembering the literary tastes and hobbies of the author of The Nightingale Garden, schoolchildren will name, along with other poets, A.A. Fet, whose poems Blok knew and loved well. The teacher will read A. Fet's poem "The Key".

Students will note what the poem “The Nightingale Garden” has in common with Fetov’s poem. Fet managed to convey the enchanting and alluring charm of “refreshing moisture”, a shady grove and a nightingale’s call. Blok’s nightingale garden is depicted in the same attractive way. The lyrical hero of the poem "The Key" strives for that bliss that, we saw, the hero of "The Nightingale's Garden" found behind the "wall drowned in roses." Blok's poem resembles the poem "The Key" in its rhythm, melodiousness, and similar images and symbols.

It should be noted that literary scholars in their studies paid attention to the subtext of “The Nightingale Garden”, to the polemical orientation of this poem by Blok in relation to A. Fet’s poem “The Key”. This idea was first expressed by V.Ya. Kirpotin in the article “The Polemical Subtext of the Nightingale Garden.” He was joined by V. Orlov in his comments to the Nightingale Garden, and L. Dolgopolov in his monograph on Blok’s poems.

No matter how attractive the “nightingale’s garden” may seem, no matter how difficult it is to part with it, it is the poet’s duty to go into the thick of life, responding to its calls. Therefore, it was especially important for Blok to show life in the nightingale’s garden so enchanting and captivating. And it was necessary to talk about her in the same captivating, mellifluous verses.

From the drafts of the poem one can see that it was originally constructed as a third-person narrative. Subsequently replacing the narrator's face, Blok made the story more emotional, closer to the reader, and introduced autobiographical elements into it. Thanks to this, readers perceive the poem not as a story about the sad fate of some poor man, but as an excited confession of the narrator about his experiences, about his spiritual struggle. The meaning of “The Nightingale Garden” cannot therefore be reduced only to a polemic with Fet or other supporters of “pure art”. This poem, V. Kirpotin concludes, was not only “a response to a multi-branched and noisy dispute about the purpose of the writer and about the paths of the Russian intelligentsia.” In his work, Blok “created an answer in which he said goodbye to his own past, or, rather, to much of his own past.” “The polemic with Fet,” writes L. Dolgopolov, “developed into a polemic with himself.”

C This process was false for Blok. He does not hide difficult, painful experiences from his readers, and opens his soul to us. Extreme sincerity and frankness, the ability to convey the subtlest shades of spiritual life - this is perhaps the strongest side of Blok’s poetry. The poem "The Nightingale Garden" helps to see the difficult path along which the poet walked towards his main feat of life - the creation of the poem "The Twelve".

Literature.

1. Blok A.A. "Lyrics" - M.: Pravda, 1985.
2. Gorelov A. "Essays on Russian writers." L., Soviet writer, 1968.
3. Fet A.A. "Complete collection of poems" L., Soviet writer. 1959.
4. Questions of literature. 1959, No. 6, p. 178-181
5. Dolgopolov L.K. "Blok's poems and Russian poems of the late 19th and early 20th centuries", M. - L., Nauka, 1964, p. 135-136.
6. Serbin P.K. Studying the work of Alexander Blok. - K.: Radyanskaya school, 1980.

There are two roads in front of the hero of the poem. One is work, hard and monotonous. The other is the love of a beautiful woman, the peace and charm of the nightingale’s garden. The hero leaves his miserable hut and his faithful assistant donkey and goes there, to the alluring nightingale garden. But very soon he realizes that happiness was there, on the rocky paths along which he walked with his donkey. The hero leaves the beautiful garden and his tender beloved, but too late. Neither his hut nor his donkey are any longer there, and another man is descending along the path trodden by his feet.
The poem contrasts two themes. The first is everyday prosaic life, filled with content and action. The second is a heavenly life, without work or purpose. The text of the poem consists of seven chapters. From the very beginning, the first theme arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero finds himself in the garden. Only four stanzas are devoted to being in the garden, the second theme. And then the first theme appears again, but this is no longer life filled with content and action, but the result of being in the garden - loneliness, the meaninglessness of existence.
Behind the fence of the Nightingale Garden, the hero “breaks layered rocks,” his “mind is clouded by knowing,” he “dreams of another life.” And in the nightingale’s garden the hero, “intoxicated with golden wine,” “forgot about the rocky path.”
When the hero’s stay behind the garden fence is described, “heavy” words are used: “drags,” “pieces,” “starts to scream.” And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “the nightingale’s melody,” “streams and leaves whisper,” “streams began to sing.”
K. Chukovsky reproached A. Blok for the “excessive sweetness” of “The Nightingale’s Garden.” But it is possible to “justify” the poet. The description of the garden can only be “overly mellifluous.” Because such a life cannot be depicted in any other way; no other description can be applied to it.
The image of the sea plays a large role in the poem. The sea symbolizes everyday life, the “rumble” is endless, hard work, noise, life. The “life curse” does not reach the Garden of Eden, but there is no life itself there. The hero is drawn back to the everyday life he abandoned, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost; the nightingale’s song cannot drown out the “rumble of the sea.”
The main idea of ​​the poem, I think, is precisely this.
To the hero’s question: “Will there be punishment or reward if I deviate from the path?” Blok answers at the end of the poem. It is not for nothing that he gives a scene of a clash of crabs in the poem. This scene emphasizes the depth of the hero’s loneliness, which arose due to the fact that he deviated from the path.
The poem “The Nightingale Garden” is considered romantic. The period of writing this poem is a transitional period in the writer’s work. The transition from symbolism to realism is reflected in the poem. There are a lot of symbols here, even when describing real life, a lot of romance. But realism wins.

There are two roads in front of the hero of the poem. One is work, hard and monotonous. The other is the love of a beautiful woman, the peace and charm of the nightingale’s garden. The hero leaves his miserable hut and his faithful assistant donkey and goes there, to the alluring nightingale garden. But very soon he realizes that happiness was there, on the rocky paths along which he walked with his donkey. The hero leaves the beautiful garden and his tender beloved, but too late. Neither his hut nor his donkey are any longer there, and another man is descending along the path trodden by his feet.

The poem contrasts two themes. The first is everyday prosaic life, filled with content and action. The second is a heavenly life, without work or purpose. The text of the poem consists of seven chapters. From the very beginning, the first theme arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero finds himself in the garden. Only four stanzas are devoted to being in the garden, the second theme. And then the first theme appears again, but this is no longer life filled with content and action, but the result of being in the garden - loneliness, the meaninglessness of existence.

Behind the fence of the Nightingale Garden, the hero “breaks layered rocks,” his “mind is clouded by knowing,” he “dreams of another life.” And in the nightingale’s garden the hero, “intoxicated with golden wine,” “forgot about the rocky path.”

When the hero’s stay behind the garden fence is described, “heavy” words are used: “drags,” “pieces,” “starts to scream.” And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “the nightingale’s melody,” “streams and leaves whisper,” “streams began to sing.”

K. Chukovsky reproached A. Blok for the “excessive sweetness” of “The Nightingale’s Garden.” But it is possible to “justify” the poet. The description of the garden can only be “overly mellifluous.” Because such a life cannot be depicted in any other way; no other description can be applied to it.

The image of the sea plays a large role in the poem. The sea symbolizes everyday life, the “rumble” is endless, hard work, noise, life. The “life curse” does not reach the Garden of Eden, but there is no life itself there. The hero is drawn back to the everyday life he abandoned, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost; the nightingale’s song cannot drown out the “rumble of the sea.”

The main idea of ​​the poem, I think, is precisely this.

To the hero’s question: “Will there be punishment or reward if I deviate from the path?” Blok answers at the end of the poem. It is not for nothing that he gives a scene of a clash of crabs in the poem. This scene emphasizes the depth of the hero’s loneliness, which arose due to the fact that he deviated from the path.

The poem “The Nightingale Garden” is considered romantic. The period of writing this poem is a transitional period in the writer’s work. The transition from symbolism to realism is reflected in the poem. There are a lot of symbols here, even when describing real life, a lot of romance. But realism wins.

A. Blok wrote the poem “The Nightingale Garden” during his affair with opera singer L. A. Andreeva-Delmas. A reference to the fact that this poem is about their relationship is the song sung by the stranger in the piece. Below is an analysis of Blok's "Nightingale Garden".

The plot of the poem

In the analysis of Blok's "The Nightingale Garden" you need to briefly talk about the plot of the work. It is quite simple: the main character is a poor worker who has only an old house and a faithful donkey. Every day he walks the same road to his hard work. The hero passes by a beautiful garden that calls to him. But every time the worker does not dare to open the gate.

But one day he finally decided to enter the wonderful garden. Both his beauty and the beautiful singing of the nightingales amazed the hero. Once in that heavenly place, he forgot about time and his faithful comrade. But after some time, he began to miss his work, labor, and the excitement of life. Therefore, the hero left the garden. But when he arrived, he saw neither his house nor his donkey.

In the analysis of Blok's "The Nightingale Garden" it should be noted that the plot is based on opposition. The hero chooses between two full of experiences, worries, labor, or the one in which pleasure, beauty and tranquility awaited him. The poem contrasts work and laziness. And the hero began to miss the activities that filled his life with meaning.

Short review

A brief chapter-by-chapter analysis of Blok’s “The Nightingale Garden” allows us to show readers the full depth of the plot, despite its apparent simplicity. The first parts describe the everyday life of the hero of the poem. Every time he passes by a beautiful garden, he hears someone’s beautiful singing.

And so in his hut he thought about his life. And the hero understands that he will not lose anything if he decides to enter this garden. The worker falls more and more in love with the beauty of the place. These chapters show that the hero is tired of the bustle of life, boring and monotonous reality. We can also conclude that the hero is selfish. He didn’t even have the thought of taking his faithful comrade, the old donkey, with him.

In the third chapter, the hero is overcome by doubts: what choice is better to make? He is frightened by the unknown: what awaits him there, beyond the fence of the nightingale’s garden? And in the next chapter he finds himself in a world of beauty, tranquility and love. The garden turned out to be much more beautiful than in his wildest dreams. Intoxicated by new impressions and the realization that his dreams have come true, the hero forgets both his duties and his friend.

The fifth and sixth chapters describe the life of a worker in the nightingale garden. He lost track of time, he doesn't care about anything. Only occasionally - the sound of waves, which could not be drowned out by the song of the nightingale. And the sea reminded him of the real life he left behind. But the love and affection of the heroine allowed him to forget all his worries and doubts.

One day the hero heard the cry of his donkey, and he decided to leave the garden. The seventh chapter tells how, upon returning, he could not find either his home or his friend. And someone else is doing his work, and another donkey is helping him. Unable to appreciate what happened in his real life, spending his time in constant idleness, the hero lost the meaning of life. You need to be able to appreciate everything that exists in real life, and not try to live only in dreams.

Main character

In the analysis of Blok's "The Nightingale Garden" it is necessary to give a brief description of the hero of the poem. The lyrical hero is a simple person, tired of routine and worries. He himself characterizes himself as a “poor, destitute man.” His life consists of hard work, he has nothing but a hut and a donkey. That is why he is so eager to get into that garden where he can live without worrying or worrying about anything.

Once in the garden, the hero lost touch with reality. He didn't know how much time had passed or what was happening. It was as if he hid from all the problems and worries in his dreams. Therefore, the hero no longer heard the sound of the waves. In the analysis of the poem “The Nightingale Garden” by Blok, it should be noted that the sea acts as a symbol of life.

And when the hero gets tired of constant idleness, he again hears the sounds of real life. Thus, the reader sees that it is in real life, in communication with real people, that there is meaning.

Literary tropes

Also, in the analysis of Blok’s “The Nightingale Garden,” it is necessary to determine what literary techniques the author resorted to when writing the poem. The poet used a hidden antithesis - the opposition of the garden and the sea. To give greater artistic expressiveness, A. Blok used personification, a large number of epithets, comparison and metonymy.

In a more mature period of creativity, the poet began to move away from the symbolist direction. And this poem reflected the first attempts of his transition to realism. But still, there were still signs of symbolism in this work. This article presented an analysis of Blok's poem "The Nightingale Garden".