Poem Nightingale Garden block analysis. Alexander Blok. "The Nightingale Garden" (method of analytical reading). “The Nightingale Garden” by A.A. Blok

“The Nightingale Garden” by A.A. Blok

In the romantic poem “The Nightingale Garden” by A.A. Blok draws two worlds opposed to each other. The first is characterized by heat, layered rocks and a muddy seashore. This is the ordinary world of human existence, filled with daily hard work. And next to it is another world, magical, sublime and sophisticated. This is a wonderful garden with coolness, nightingale trills and beautiful roses and songs. It is into this that the stubborn donkey of the hero of the poem strives to curl up.

What does the sophisticated romantic image of the “nightingale garden” symbolize? The reader receives a more specific answer to this question in the second chapter of the poem, where the image of a woman in white appears, who calls the lyrical hero with her singing and beckons by circling.

A.A. The block shows how poor and monotonous the life of a lonely person is and how it can be transformed when love settles in the hero’s heart. In the third chapter, the magical spell of the nightingale’s garden spreads beyond its fence. The “familiar, empty, rocky” path begins to seem “mysterious” to the lyrical hero of the poem, as it leads to an alluring fence. The roses from the Nightingale Garden are falling lower and lower. The heart tells you that you need to enter the garden and become a welcome guest there.

In the fourth chapter, the lyrical hero finally decides to open doors that previously seemed impregnable. And, to his surprise, they open up for him on their own. Heavenly bliss awaits the lyrical hero in the garden. The image of happiness is depicted in emphatically romantic tones: the coolness of lilies, the monotonous song of streams and the sweet trills of nightingales, the ringing of wrists and, finally, the feeling of intoxication with wine and golden fire. The lyrical hero forgets about his work, about the donkey left behind the fence.

However, in the fifth chapter, the author exclaims: “The Nightingale’s song is not free to drown out the rumble of the sea!” These lines emphasize the essence of Blok’s understanding of happiness. No highest pleasure (even love) can replace a person’s feeling of accomplishment, the understanding that he is on his way. “The Nightingale’s Song” in this context can be perceived as a symbol of dreams of personal happiness, love, and idle pleasures. “Sea,” as is customary in classical literature, symbolizes life in a broad sense, the established world order. If in the first chapter of the poem, when the hero breaks the slopes and transports their pieces on a donkey to the railway, the sea behaves favorably, peacefully, and the tide begins to ebb, then in the fifth chapter the eye rumbles, trying to be heard. And the soul of the lyrical hero hurries to the sound of the surf.

In the sixth chapter, the hero leaves his sleeping beloved and goes to the pitiful cries of a donkey and the measured blows of the waves. Only the thorns of beautiful roses, “like hands from the garden,” try to hold him.

In the seventh chapter, the hero of the poem faces a heavy retribution for breaking his duty: the sea tide destroyed his house on the shore. And another person took his workplace. For short-term happiness I had to pay with everything I had. This is the answer to the question posed in the third chapter of the poem: “Will there be punishment or reward if I deviate from the path?”

Thus, the main compositional device in the poem is antithesis, which extends not only to the organization of the artistic space of the poem, but also to sound images. Along with the general philosophical interpretation of the poem, there is an opinion in criticism that it contains a polemic by A.A. Blok with supporters of “pure art”. In this regard, “The Nightingale Garden” can be understood as a refusal to depict the problems of historical reality, a retreat into some ideal space and a narrowing of the tasks of the author’s contemporary art.

A. Blok wrote the poem “The Nightingale Garden” during his affair with opera singer L. A. Andreeva-Delmas. A reference to the fact that this poem is about their relationship is the song sung by the stranger in the piece. Below is an analysis of Blok's "Nightingale Garden".

The plot of the poem

In the analysis of Blok's "The Nightingale Garden" you need to briefly talk about the plot of the work. It is quite simple: the main character is a poor worker who has only an old house and a faithful donkey. Every day he walks the same road to his hard work. The hero passes by a beautiful garden that calls to him. But every time the worker does not dare to open the gate.

But one day he finally decided to enter the wonderful garden. Both his beauty and the beautiful singing of the nightingales amazed the hero. Once in that heavenly place, he forgot about time and his faithful comrade. But after some time, he began to miss his work, labor, and the excitement of life. Therefore, the hero left the garden. But when he arrived, he saw neither his house nor his donkey.

In the analysis of Blok's "The Nightingale Garden" it should be noted that the plot is based on opposition. The hero chooses between two full of experiences, worries, labor, or the one in which pleasure, beauty and tranquility awaited him. The poem contrasts work and laziness. And the hero began to miss the activities that filled his life with meaning.

Short review

A brief chapter-by-chapter analysis of Blok’s “The Nightingale Garden” allows us to show readers the full depth of the plot, despite its apparent simplicity. The first parts describe the everyday life of the hero of the poem. Every time he passes by a beautiful garden, he hears someone’s beautiful singing.

And so in his hut he thought about his life. And the hero understands that he will not lose anything if he decides to enter this garden. The worker falls more and more in love with the beauty of the place. These chapters show that the hero is tired of the bustle of life, boring and monotonous reality. We can also conclude that the hero is selfish. He didn’t even have the thought of taking his faithful comrade, the old donkey, with him.

In the third chapter, the hero is overcome by doubts: what choice is better to make? He is frightened by the unknown: what awaits him there, beyond the fence of the nightingale’s garden? And in the next chapter he finds himself in a world of beauty, tranquility and love. The garden turned out to be much more beautiful than in his wildest dreams. Intoxicated by new impressions and the realization that his dreams have come true, the hero forgets both his duties and his friend.

The fifth and sixth chapters describe the life of a worker in the nightingale garden. He lost track of time, he doesn't care about anything. Only occasionally - the sound of waves, which could not be drowned out by the song of the nightingale. And the sea reminded him of the real life he left behind. But the love and affection of the heroine allowed him to forget all his worries and doubts.

One day the hero heard the cry of his donkey, and he decided to leave the garden. The seventh chapter tells how, upon returning, he could not find either his home or his friend. And someone else is doing his work, and another donkey is helping him. Unable to appreciate what happened in his real life, spending his time in constant idleness, the hero lost the meaning of life. You need to be able to appreciate everything that exists in real life, and not try to live only in dreams.

Main character

In the analysis of Blok's "The Nightingale Garden" it is necessary to give a brief description of the hero of the poem. The lyrical hero is a simple person, tired of routine and worries. He himself characterizes himself as a “poor, destitute man.” His life consists of hard work, he has nothing but a hut and a donkey. That is why he is so eager to get into that garden where he can live without worrying or worrying about anything.

Once in the garden, the hero lost touch with reality. He didn't know how much time had passed or what was happening. It was as if he hid from all the problems and worries in his dreams. Therefore, the hero no longer heard the sound of the waves. In the analysis of the poem “The Nightingale Garden” by Blok, it should be noted that the sea acts as a symbol of life.

And when the hero gets tired of constant idleness, he again hears the sounds of real life. Thus, the reader sees that it is in real life, in communication with real people, that there is meaning.

Literary tropes

Also, in the analysis of Blok’s “The Nightingale Garden,” it is necessary to determine what literary techniques the author resorted to when writing the poem. The poet used a hidden antithesis - the opposition of the garden and the sea. To give greater artistic expressiveness, A. Blok used personification, a large number of epithets, comparison and metonymy.

In a more mature period of creativity, the poet began to move away from the symbolist direction. And this poem reflected the first attempts of his transition to realism. But still, there were still signs of symbolism in this work. This article presented an analysis of Blok's poem "The Nightingale Garden".

"Nightingale Garden"

In the romantic poem “The Nightingale Garden” by A.A. Blok draws two worlds opposed to each other. The first is characterized by heat, layered rocks and a muddy seashore. This is the ordinary world of human existence, filled with daily hard work. And next to it is another world, magical, sublime and sophisticated. This is a wonderful garden with coolness, nightingale trills and beautiful roses and songs. It is into this that the stubborn donkey of the hero of the poem strives to curl up.

What does the sophisticated romantic image of the “nightingale garden” symbolize? The reader receives a more specific answer to this question in the second chapter of the poem, where the image of a woman in white appears, who calls the lyrical hero with her singing and beckons by circling.

A.A. The block shows how poor and monotonous the life of a lonely person is and how it can be transformed when love settles in the hero’s heart. In the third chapter, the magical spell of the nightingale’s garden spreads beyond its fence. The “familiar, empty, rocky” path begins to seem “mysterious” to the lyrical hero of the poem, as it leads to an alluring fence. The roses from the Nightingale Garden are falling lower and lower. The heart tells you that you need to enter the garden and become a welcome guest there.

In the fourth chapter, the lyrical hero finally decides to open doors that previously seemed impregnable. And, to his surprise, they open up for him on their own. Heavenly bliss awaits the lyrical hero in the garden. The image of happiness is depicted in emphatically romantic tones: the coolness of lilies, the monotonous song of streams and the sweet trills of nightingales, the ringing of wrists and, finally, the feeling of intoxication with wine and golden fire. The lyrical hero forgets about his work, about the donkey left behind the fence.

However, in the fifth chapter, the author exclaims: “The Nightingale’s song is not free to drown out the rumble of the sea!” These lines emphasize the essence of Blok’s understanding of happiness. No highest pleasure (even love) can replace a person’s feeling of accomplishment, the understanding that he is on his way. “The Nightingale’s Song” in this context can be perceived as a symbol of dreams of personal happiness, love, and idle pleasures. “Sea,” as is customary in classical literature, symbolizes life in a broad sense, the established world order. If in the first chapter of the poem, when the hero breaks the slopes and transports their pieces on a donkey to the railway, the sea behaves favorably, peacefully, and the tide begins to ebb, then in the fifth chapter the eye rumbles, trying to be heard. And the soul of the lyrical hero hurries to the sound of the surf.

In the sixth chapter, the hero leaves his sleeping beloved and goes to the pitiful cries of a donkey and the measured blows of the waves. Only the thorns of beautiful roses, “like hands from the garden,” try to hold him.

In the seventh chapter, the hero of the poem faces a heavy retribution for breaking his duty: the sea tide destroyed his house on the shore. And another person took his workplace. For short-term happiness I had to pay with everything I had. This is the answer to the question posed in the third chapter of the poem: “Will there be punishment or reward if I deviate from the path?”

Thus, the main compositional device in the poem is antithesis, which extends not only to the organization of the artistic space of the poem, but also to sound images. Along with the general philosophical interpretation of the poem, there is an opinion in criticism that it contains a polemic by A.A. Blok with supporters of “pure art”. In this regard, “The Nightingale Garden” can be understood as a refusal to depict the problems of historical reality, a retreat into some ideal space and a narrowing of the tasks of the author’s contemporary art.

Brief history of creation. The poem “The Nightingale Garden” is dated January 6, 1914 - October 14, 1915. This was the period of Blok’s stormy romance with Lyubov Alexandrovna Andreeva-Delmas, a thirty-four-year-old opera singer. On January 12, 1914, he recorded his first meeting with Delmas. There is a mention of her being a singer:

“And in the garden someone is laughing quietly,
And then he walks away and sings.”

Genre of the work - romantic poem.

Theme of the work. Reflections on the meaning of life. They say that fate is a life-long road. The block symbolically divides life into two roads. One is routine work that provides food. And the other is idleness in the “nightingale garden”, where love reigns. The poet is tormented by doubts: what to choose?

Plot. Before us is the difficult life of a simple worker. Every day he and his donkey are forced to do hard, monotonous work: “We’ll carry it to the railway, put it in a heap, and then to the sea again...” And not far from the road there is a garden. It attracts with its coolness and shadow and “someone is laughing quietly.” Maybe we should enter this garden? After all, “another life is possible there - mine, not mine...” And he decides to enter the garden, forgetting “about the rocky path, about his poor comrade.” But life, devoid of the usual worries and anxieties, ceases to please. And now “the nightingale’s song is not free to drown out the rumble of the sea.” He hurries into his real, earthly life, “where my home and donkey remain.” But all that was left was a rusty scrap.

Artistic media

Poetic meter, trimeter anapaest (third syllable stressed), diagram:

I/ lo-/ma?-/yu/ slo-/i?-/sty-/e/ ska?-/ly
At the hour/ from-/va/ on/ and?-/lis-/that/ day?,
And /tas-/ka?-/et o-/se?l/ my/ u-/sta?-/ly
Their pieces-/ki?/ on/ moss-/on?-/that/ sleep-not?.

_ _ _?/_ _ _?/_ _ _?/_
_ _ _?/_ _ _?/_ _ _?/
_ _ _?/ _ _ _?/_ _ _?/_
_ _ _?/_ _ _?/_ _ _?/

The rhyme is cross (AbAb), alternating between feminine (stress on the penultimate syllable) rocks-tired and masculine (stress falls on the last syllable) bottom-back rhyme. According to the accuracy of consonance, the rhyme is considered rich (the coincidence of the stressed vowel and the supporting consonant sounds).

I break layered rocks (A)
At low tide on a muddy bottom, (b)
And my tired donkey drags (A)
Their pieces are on their furry back. (b)

tropes and stylistic figures:
There is a hidden antithesis in the poem; the author contrasts the garden with the sea. The sea is the roar of waves, tides, movement and life, and the garden is blue haze, darkness, oblivion.
personification streams and leaves whisper, the day is burning out, the darkness of the night is creeping.
metonymy white dress flashes.
comparison of their thorns, like hands from the garden.
gradation and familiar, empty, rocky, but today - a mysterious path; abandoned scrap, heavy, rusty; The path, familiar and previously short, is flinty and heavy this morning.
a large number of epithets, my tired donkey, extra roses, a restless tune, a cramped hut, a destitute poor man, an unknown tune, a tired donkey, behind the sultry darkness of the night, a sweet song, unfamiliar happiness, a fragrant and sultry darkness.
assonance (repetition of vowels) And the donkey begins to scream. And he screams and trumpets - it’s gratifying. The sounds I O convey to us the cries of a donkey.

The lyrical hero of the poem. The lyrical hero himself calls himself a “poor, destitute man.” His whole life is hard work, and all he has is a donkey, a pickaxe and a hut. “The Nightingale Garden” gives him the opportunity to live a different life, where “curses do not reach life.” Every day he takes the same path, but the desire to enter the garden becomes stronger. And what is there behind the fence: “is there a punishment waiting for you, or a reward”? Once behind the fence, the hero loses contact with the real world “I woke up at the hazy dawn of an unknown day.” Life without constant movement loses its usual meaning. Blok uses the image of the sea in his poem. It is a symbol of life. When the hero gets into the garden, he stops hearing the “roar of the sea,” but when the desire to return to real life appears, he again hears the “roar of the waves.” Through symbolic images, the author tried to convey the idea of ​​the triumph of the real over the illusory. Only real life can be complete.

Literary direction. In the mature poetry of Alexander Blok, there is a liberation from abstract mystical-romantic symbols. His works acquire vitality and concreteness. There is a transition from symbolism to realism. The first attempts at changing direction are reflected in the poem “The Nightingale Garden.” But even in descriptions of real life there are still many symbolic images.

Analysis of the poem - Nightingale Garden

There are two roads in front of the hero of the poem. One is work, hard and monotonous. The other is the love of a beautiful woman, the peace and charm of the nightingale’s garden. The hero leaves his miserable hut and his faithful assistant donkey and goes there, to the alluring nightingale garden. But very soon he realizes that happiness was there, on the rocky paths along which he walked with his donkey. The hero leaves the beautiful garden and his tender beloved, but too late. Neither his hut nor his donkey are any longer there, and another man is descending along the path trodden by his feet.

The poem contrasts two themes. The first is everyday prosaic life, filled with content and action. The second is a heavenly life, without work or purpose. The text of the poem consists of seven chapters. From the very beginning, the first theme arises, which, echoing the second, continues for three chapters. Already from the fourth chapter, the hero finds himself in the garden. Only four stanzas are devoted to being in the garden, the second theme. And then the first theme appears again, but this is no longer life filled with content and action, but the result of being in the garden - loneliness, the meaninglessness of existence.

Behind the fence of the Nightingale Garden, the hero “breaks layered rocks,” his “mind is clouded by knowing,” he “dreams of another life.” And in the nightingale’s garden the hero, “intoxicated with golden wine,” “forgot about the rocky path.”

When the hero’s stay behind the garden fence is described, “heavy” words are used: “drags,” “pieces,” “starts to scream.” And to describe the hero’s stay in the garden, gentle, romantic expressions are used: “the nightingale’s melody,” “streams and leaves whisper,” “streams began to sing.”

K. Chukovsky reproached A. Blok for the “excessive sweetness” of “The Nightingale’s Garden.” But it is possible to “justify” the poet. The description of the garden can only be “overly mellifluous.” Because such a life cannot be depicted in any other way; no other description can be applied to it.

The image of the sea plays a large role in the poem. The sea symbolizes everyday life, the “rumbling” is endless, hard work, noise, life. The “life curse” does not reach the Garden of Eden, but there is no life itself there. The hero is drawn back to the everyday life he abandoned, because a person cannot be happy without work and purpose. In the pink chains, something turned out to be hopelessly lost; the nightingale’s song cannot drown out the “rumble of the sea.”

The main idea of ​​the poem, I think, is precisely this.

To the hero’s question: “Will there be punishment or reward if I deviate from the path?” answers at the end of the poem. It is not for nothing that he gives a scene of a clash of crabs in the poem. This scene emphasizes the depth of the hero’s loneliness, which arose due to the fact that he deviated from the path.

The poem “The Nightingale Garden” is considered romantic. The period of writing this poem is a transitional period in the writer’s work. The transition from symbolism to realism is reflected in the poem. There are a lot of symbols here, even when describing real life, a lot of romance. But realism wins.