Strastnoy Boulevard 5 architecture of the building. History of the house. Some of the famous residents

Strastnoy Boulevard - boulevard in the Tverskoy district of the Central Administrative District of Moscow. Located between Pushkinskaya Square and Petrovsky Gate Square. The length of the boulevard is 550 m.

Strastnoy Boulevard in Moscow - history, name

Strastnoy Boulevard was laid out at the beginning of the 19th century. Named after the Strastnoy Monastery, dismantled in 1937. In the 1820s. The boulevard was a narrow alley between Tverskaya Street and Petrovsky Gate. At first, she walked along the wall of the Strastnoy Monastery, on the site of which Pushkinskaya Square is now located. After the current Naryshkinsky passage to the garden at house 15, Sennaya Square adjoined the alley, where hay, straw, coal and firewood were sold from carts twice a week.

In 1872, the owner of the mansion at 9 Strastnoy Boulevard, Elizaveta Alekseevna Naryshkina, decided to put an end to the disgrace under her windows and, at her own expense, set up a park in place of the square. In gratitude, the City Duma named the park Naryshkinsky. In 1937 it was annexed to Strastnoy Boulevard.

The length of the boulevard is 550 m, but its green part does not exceed 300 m. The initial 250 m, located to the right of Pushkinskaya Square, became a simple passage when the monastery was dismantled. But this is the widest boulevard of the Boulevard Ring. Its width is 123 m.

Monuments on Strastnoy Boulevard:

• at the beginning of the boulevard in 2013 a monument to A.T. was opened. Tvardovsky, the work of the sculptor V.A. Surovtseva. In 1950-1954 and 1958-1970. Tvardovsky was the editor-in-chief of the magazine "New World", whose editors were in 1947-1964. was located in the corner house 1/7 on Malaya Dmitrovka;
• In 1999, a monument to S.V. was erected in the center of the boulevard. Rachmaninov, performed by O.K. Komov and A.N. Kovalchuk. Rachmaninov in 1905-1917 lived in the house Strastnoy Boulevard, 5;
• at the end of the boulevard in 1995 a monument to Vladimir Vysotsky by G.D. appeared. Raspopova.

Monument to A.T. Tvardovsky

Monument to S.V. Rachmaninov

Monument to Vladimir Vysotsky

Houses on Strastnoy Boulevard

Strastnoy Boulevard, 5. 1st Women's Gymnasium . The building was built in 1874-1878. designed by architect N.A. Tyutyunov for the 1st Women's Gymnasium. The musical part of the gymnasium in 1905-1917. led by S.V. Rachmaninov, who lived here with his family. Some of the apartments were rented out. One of them was filmed by the famous obstetrician G.L. Grauerman.

Since 1938, the building housed the All-Union Radio Committee, from which in 1941-1945. announcer Yuri Levitan transmitted military reports from the Sovinformburo. In 1961-1980 The building was occupied by the Novosti press agency.

Strastnoy Boulevard, 8. Apartment building with a corner rotunda built by R.I. Klein in 1888. Intended for renting apartments. Added to in 1930 on two floors.

Strastnoy Boulevard, 9. Mansion E.A. Naryshkina in 1849-1850 belonged to playwright A.V. Sukhovo-Kobylin. He sold the house in 1850 after the murder of his mistress Louise Simon-Demanche in the outbuilding of the estate.

In 1872, Elizaveta Alekseevna Naryshkina, nee Princess Kurakina, at her own expense, laid out a garden on Sennaya Square in front of the mansion, which was called Naryshkinsky Square. Now the only reminder of her is the Naryshkinsky passage leading from the house.

In 2006, during the construction of the Pushkin House office center, the building was replaced by a new building.

Strastnoy Boulevard, 11. House of S.I. Elagina . The mansion was built in 1899 according to the design of A.A. Dranitsyn for hereditary honorary citizen Sergei Ivanovich Elagin. In 1910, architect O.O. Shishkovsky added two stone volumes to the building, one of which was occupied by a winter garden.

Under Soviet rule, the mansion housed the editorial office of the magazine Ogonyok, the publication of which was resumed in 1923 on the initiative of M.E. Koltsova. In 1972, a memorial plaque with a sculptural portrait and the inscription was installed on the facade: “Mikhail Efimovich Koltsov, an outstanding Soviet journalist, founder and editor-in-chief of the Ogonyok magazine, worked in this building from 1927 to 1938.”

Strastnoy Boulevard, 12. House of A.F. Redlikha . An apartment building with a store was built in 1894 according to the project

Recently I came across an advertisement for the sale of a huge apartment in a new building located at the very beginning of Strastnoy Boulevard. The living space occupied the entire top floor, and as a special feature, it included a two-level... storage room. Despite the fact that the apartment itself is one-story. But what interested me was not so much the quirks of the layout, but the very fact of the presence of a new house in a place where, it would seem, the density of the existing buildings does not allow anything to be built.. So where did the new building come from?

Recently I came across an advertisement for the sale of a huge apartment in a new building located at the very beginning of Strastnoy Boulevard. The living space occupied the entire top floor, and as a special feature, it included a two-level... storage room. Despite the fact that the apartment itself is one-story. But what interested me was not so much the quirks of the layout, but the very fact of the presence of a new house in a place where, it would seem, the density of the existing buildings does not allow anything to be built. So where did the new building come from?

How the son of Pushkin’s friend traded horses for development

The house mentioned in the ad is located. Since ancient times, this corner of Moscow belonged to the ancient noble family of the Gorchakovs. The most famous of the Gorchakovs is Alexander Mikhailovich: the great Russian diplomat, privy councilor, minister of foreign affairs, chancellor of the Russian Empire, Pushkin’s classmate at the Tsarskoye Selo Lyceum and his bosom friend. Or even more than a friend: three poems by the famous poet dedicated to Gorchakov, and several portraits made by his hand - isn’t this proof of a genuine, albeit discreet friendship? Pushkin's best friends, Delvig and Pushchin, also treated the future chancellor with sympathy, and for good reason. Here, for example, is the story that happened at the very beginning of his career, immediately after the events on Senate Square in December 1825. In which he himself did not take part, unlike some of his comrades at the Lyceum. Having seen what fate was in store for the Decembrists, the day after the uprising, Alexander Mikhailovich found Pushchin and offered him a foreign passport to flee to another state. Pushchin appreciated the deed, but due to his convictions, refused to accept help. The result was hard labor in the Chetinsky prison, which ended only in 1856.

Portrait of the future chancellor Alexander Gorchakov, made by Pushkin

But that is another story. As, in fact, the story about Alexander Mikhailovich is also different. After all, it is not the chancellor himself who is related to Strastnoy Boulevard, 4, but his son, Konstantin Alexandrovich, the horsemaster of His Imperial Majesty, who later received the title of lordship. The horsemaster is the head of the stable, subordinate to whom were all the grooms, herds and all the estates where the royal horses were kept and bred. The latter is especially important for us, because, in essence, it means nothing more than property management, in which Konstantin Aleksandrovich became so proficient that he began to use these skills not only in the service. Hence the construction of an apartment building on that same Strastnoy Boulevard, which he initiated. Hence his other “real estate transactions.”

Rallymaster Konstantin Gorchakov

Here, for example, is an advertisement published in September 1908 in the then popular newspaper “Russian Word” (the original spelling has been preserved). “Plots for dachas measuring about 600 square meters. fathoms are sold at a price of 1 to 2 rubles. sq. soot At 27 verst (platform) of the Moscow-Brest railway. at the estate “Vlasikha” (formerly O. M. Vagau), the possession of His Serene Highness Prince Konstantin Alexandrovich Gorchakov. The terrain is high and dry; in areas there are sidewalks and highways. The plots have mixed forest up to 35 years old and 5 ponds for public use...”

Translating into modern language, our hero organized a cottage community with developed infrastructure on his own lands and sold plots in it without a contract. The village was located 13 km from the modern Moscow Ring Road (although a mile is almost equal to a kilometer, the pre-revolutionary country developer counted not from the city border, but from the station), in a very high-status area both then and now - between the current Minsk and Rublevskoe highways. All the more amazing are the prices (even adjusted for their pre-revolutionary origin). A square fathom is approximately 4.55 square meters. m or 0.0455 acres. That is, plots located in a prestigious location cost from 22 to 44 rubles per hundred square meters. For comparison: in 1908, the average worker’s earnings were 20 rubles a month, and, for example, a titular adviser received 140 rubles. That is, for the latter to accumulate a plot of 27 acres (this is the equivalent of six hundred square fathoms), it would take 5 to 9 months. Unless, of course, you take into account current living expenses. Here's some more information for comparison. Now in the vicinity of Vlasikha, prices for plots are in the range of 0.65 - 1.2 million rubles per hundred square meters. Well, you can imagine the average level of current salaries.

How a temple architect designed a residential building

But let’s return from the Moscow region to Moscow, to Strastnoy Boulevard at the very end of the 19th century. Apartment buildings were at the peak of their popularity back then: each rented apartment, depending on its size and features of the house, brought its owner monthly from 3 to 50 rubles, or even more. It is not surprising that Konstantin Alexandrovich was also interested in this business. He ordered the design of his apartment building, designed for fairly wealthy residents, to the architect Ivan Felitsianovich Meisner - to be honest, not particularly famous. Much more famous is his brother, Alexander Felitsianovich, the personal architect of the Sheremetyev house, who, as they write about him in modern classifications of architects, has “his own recognizable style.”

However, Ivan Felitsianovich was not alien to his architectural style. Another thing is that he realized himself on such objects in which you cannot jump much beyond the canons of style. For example, according to his design, the Church of the Presentation of the Blessed Virgin Mary into the Temple was built in the village of Olgovo, Dmitrovsky district, Moscow region, as well as the Church of Stephen Makhrishchsky in the Trinity Stephen Makhrishchsky Monastery, in the Vladimir region. Perhaps that is why, when drawing the kennels of the future apartment building on Strastnoy Boulevard (and in fact, a complex of five buildings that occupied the entire block to Kozitsky Lane), he was quite restrained. The result was a six-story brick house with a symmetrical facade and a central arch for the passage. The main architectural accent of the building is four two-column porticoes of Corinthian columns, which span the heights of the third to fifth floors and are united by a decorated cornice above the fifth floor windows. This is the prototype of current bay windows, very popular in Russian architecture at the turn of the 19th and 20th centuries.

Church of Stephen Makhrishchsky in the Trinity Stephen Makhrishchsky Monastery, built according to the design of Ivan Meisner

The result is a simple and rather laconic rear design, not without its charm. True, six decades later, the Moscow expert Yuri Fedosyuk, popular in the Soviet years, in his guidebooks “Boulevard Ring”, spoke not at all flatteringly about this house. “It’s worth going deep into the courtyard to see the typically capitalist principle of development of this property: every square meter is used for housing - at the cost of depriving residents of light, air, and greenery,” he wrote. It is curious that the Moscow expert saw the “capitalist principle of development” at the very height of the era of construction hyper-minimalism, so there was clearly a political background to this judgment.

The courtyard of Gorchakov's apartment building, which surprised Moscow expert Yuri Fedosyuk

How an apartment building brought the revolution closer

But that was later. And then, in 1899, construction of the house had just begun, but already in 1991 the first residents moved in: actors, doctors, lawyers. For example, Clara Rosenberg, a well-known dentist in Moscow, settled in one of the apartments. However, she became famous not only for her ability to skillfully put fillings and pull out rotten teeth, but also for her loyalty to the Social Democrats. It was in this apartment on October 8, 1902 that representatives of this party met with Maxim Gorky, after which the writer decided to provide them with financial support. The support consisted of financing the newspaper Iskra, created by Lenin in Germany. Later, after the October Revolution, when Gorky realized who he was helping and with what, he was disappointed. But at the beginning of the century he saw the situation differently.

Strastnoy Boulevard, photograph from the beginning of the 20th century (in the background is Gorchakov’s apartment building, in the foreground is Chizhov’s mansion)

In the same 1902, the famous journalist and theater critic Vlas Mikhailovich Doroshevich rented an apartment in the house of Prince Gorchakov. The new apartment building came at just the right time for him: not far from Strastnoy Boulevard, in the outbuilding on Petrovka, 22, there was the editorial office of the newspaper “Russian Word” (the same one in which Gorchakov a few years later would post his advertisement for the sale of plots), where the publisher invited him to work Ivan Sytin. It is believed that with each of his publications in the Russian Word, Vlas Mikhailovich “brought the revolution closer.” Although, perhaps this is another misconception of another talented Russian person. “He is not one of those animals that ended up in the ark,” Korney Chukovsky wrote about Doroshevich. “Of course, when the revolutionary flood began, he climbed up the hill, but didn’t go any higher, and now he’s drowned.” Others - they begged Noah for a warm place, and they are not sad that the smooth, hollow water flooded all the fragrant gardens, all the flowering valleys, and that soon the lonely peak - Tolstoy - will be covered with a smooth surface.

How Strastnoy got his own Electrotheater

The house on Strastnoy Boulevard became famous not only for its revolutionary sentiments. In the summer of 1905, a completely secular event took place here: the tradesman Karl Ivanovich Alksne opened a cinema here for 50 spectators, one of the first in Moscow. The owner called the establishment “Electrotheater”; the “most respectable public” invariably addressed the spectators in the posters, inviting them to visit his “modest theater”, promised “really complete pleasure”, and always signed with the words “With respect, Karl Ivanovich.” This “promotion concept” quickly bore fruit: Alksne soon became rich and by April 1906 his establishment had moved to a neighboring house - Chizhov’s two-story mansion on the corner of Tverskaya and Strastnoy Boulevard, in which he equipped a larger cinema - already with 160 seats. So Strastnoy, 4 was left without a polite and resourceful tenant.

After the revolution, the house faced the same fate that befell many buildings in the city center: the old residents were evicted, and the apartments were turned into communal apartments. Then the communal apartments gradually became apartments again, and the house itself is still alive today. No one demolished it and no one is going to: although it was not given the status of an architectural monument, it was included in the register of historically valuable buildings. “So where is the new building?” - you ask. And nowhere. It’s just that the owner of the apartment for sale made a mistake in the concepts and confused “new construction” with “major renovation”. Some parts of the building were put in order by the new owners and tenants several years ago. By the way, they now house as many as three hostels - relatively cheap small hotels. So the former apartment building has partially returned to its original purpose. But that part of the building, where now mostly ordinary apartments are located, was thoroughly restored only last year, and at the expense of city budget funds allocated under the “Major repairs and modernization of the housing stock” program. This is how the new building, built in 1901, turned out. However, in the neighborhood, closer to Tverskaya, there is a real new building (or rather, a “long-term construction”): a future hotel with underground parking, which is “assigned” to the address of the street. Tverskaya, 16/2, although the façade is facing Strastnoy. It was supposed to start operating in 2005, but is still under construction. But this is certainly a completely different story.

A hotel is currently being built next to Gorchakov's former apartment building

Daria Kuznetsova, correspondent of the portal GdeEtoDom.RU

The Russian National Museum of Music is the largest treasury of monuments of musical culture, which has no analogues in the world. A unique collection of music and literary manuscripts, studies on cultural history, rare books, and music editions are stored here. The collections of the Museum of Music number about a million exhibits. The branches contain autographs, letters, photographs and various kinds of documents related to the life and work of figures of Russian and foreign musical culture.

A special place is occupied by the collection of musical instruments of the peoples of the world. The collections of the Museum of Music include the State Collection of Unique Musical Instruments: the largest collection of stringed instruments by masters from different countries and eras, including masterpieces by A. Stradivari, the Guarneri and Amati families.

The fund of audio and video recordings is extensive; in the collection of visual materials - masterpieces that could decorate the exhibitions of the world's best art museums - paintings by M. Vrubel, K. Korovin, V. Serov and other world-famous artists.

The Museum of Music is an authoritative scientific center. Researchers conduct research, search, and introduce unknown, forgotten or unidentified works, autographs, and musical names into cultural use.
The Russian National Museum of Music includes:

Museum of Music (Fadeeva St., 4.)
Museum of S.S. Prokofiev (Kamergersky lane, 6)
Memorial estate of F.I. Shalyapin (Novinsky Blvd., 25–27)
Museum "P.I. Tchaikovsky and Moscow" (Kudrinskaya sq., 46/54)
Museum-apartment N.S. Golovanova (Bryusov lane, building 7, apt. 10)
Museum-apartment of A.B. Goldenweizer (Tverskaya st., 17, apt. 110)

Continuation of our cycle of walks along the Boulevard Ring.
We will walk from Pushkinskaya Square along Strastnoy and Petrovsky Boulevards to Trubnaya Square, looking at the streets and alleys adjacent to the boulevards along the way. The route will introduce you to the Pushkin monument and the Pushkin Fountain, the museum-apartment named after. IN AND. Nemirovich-Danchenko, a monument to Sergei Rachmaninov, as well as monuments to Vysotsky and the sculptural composition "Mimino".

Under Pushkinskaya Square there is an interchange hub of the Pushkinskaya - Tverskaya - Chekhovskaya metro stations of the Tagansko-Krasno-Presnenskaya, Zamoskvoretskaya and Serpukhovo-Timiryazevskaya lines, respectively. It is better for us to exit from the Tverskaya or Pushkinskaya stations, since they are located at the beginning of Pushkinskaya Square (on Tverskaya Street), and the Chekhovskaya station is at the opposite end and, if we exit it, we will have to return back to Tverskaya Street, otherwise we will miss a lot of interesting things

So, we exit the metro onto Tverskaya Street. We have a view of Pushkin Square. We described its attractions in detail in “A Walk along Tverskaya Street. Part 1”, so now we’ll just list them. The architectural dominant of the square is the monument to the great Russian poet A.S. Pushkin.

Behind the monument there is a Stone in memory of the Holy Monastery.

This memorial sign reminds us that on the site of Pushkin Square, since the 17th century, the Passionate Maiden Monastery was located, in honor of which Strastnoy Boulevard was named.

Bolshaya Dmitrovka Street goes in the opposite direction from Malaya Dmitrovka. Let's walk along it a little.

On the opposite side of the road is the monumental building of the Federation Council.

We will return to it in more detail later.

The building next to the Musical Theater (house No. 17A) is one of the buildings of the General Prosecutor's Office of the Russian Federation.

Another building on Bolshaya Dmitrovka, decorated with bas-reliefs with images of Lenin, Marx and Engels, is the Russian State Archive of Socio-Political History (RGASPI), behind which is Tverskaya Square, which we described in detail in “A Walk along Tverskaya Street. Part 1”.

We return to Strastnoy Boulevard. The name of the boulevard comes from the Strastnoy Monastery, which was located here since the 17th century and was demolished in the 1930s.

Vysotsky’s childhood (from the age of 11, after his family returned from Germany, where his father served) was spent in Bolshoi Karetny Lane, located not far from the Petrovsky Gate.

"Where are your seventeen years?

On the Big Karten..."

And also, looking at this monument, one cannot help but recall lines from another Vysotsky song, his kind of “anti-prophecy”:

"They won't erect a monument to me in the park

Somewhere at the Petrovsky Gate..."

Vladimir Semenovich was mistaken. The monument was erected. And exactly in the place about which he sings - at the Petrovsky Gate, in the park.

House No. 15 on Strastnoy Boulevard (to our left) is the mansion of the princes Gagarins.

Until 1812, the English Club was located here. Among other famous personalities, this establishment was visited during his visit to Moscow by the famous French writer Stendhal (author of the novels “The Parma Monastery”, “Red and Black” and many other works). History has preserved the phrase he said about the English Club in Moscow: “There is not a single club in Paris that could compare with it.”

During the fire of 1812, the building was completely burned down. It was restored according to surviving drawings in the 20s of the 19th century by architect O.I. Beauvais. The building of the English Club is considered one of the best monuments of classicism in Moscow.

Since 1833, the Novo-Ekaterininskaya Hospital was located here (this date is indicated on the pediment of the building), then the clinics of the Moscow Medical-Surgical Academy and the Faculty of Medicine of the Imperial Moscow University. After 1917, the hospital continued to operate under the name “city clinical hospital No. 24” until 2009. Since 2009, the building has been under general reconstruction.

Let's turn left and walk a little deeper along Petrovka Street. On the right side of the street we see a multi-story U-shaped building. This is the famous Petrovka, 38 - the Main Directorate of the Ministry of Internal Affairs, first of the Soviet Union, and then, to this day, of the Russian Federation.

The courtyard of the building is surrounded by a cast-iron fence; tourists and other passers-by are not welcome here. Entrance to the territory is strictly with passes. However, through the bars of the fence we can see the bust located in the center of the courtyard. This monument "Iron Felix" - F.E. Dzerzhinsky.

The name of Dzerzhinsky is usually associated with the NKVD-KGB-FSB, which are based on the VChK (All-Russian Extraordinary Commission) created by him. However, Dzerzhinsky’s contribution to the formation of the Internal Affairs Bodies is also not small, which is why he was awarded a monument at the main building of the Ministry of Internal Affairs. In August 1991, after the well-known events associated with the suppression of the GKChP putsch, the bust of Dzerzhinsky, as well as his “elder brother” - the famous monument on Lubyanka Square was dismantled. However, if the monument to Dzerzhinsky is still located in the Park of Arts among many other deposed heroes of Soviet power, the bust was returned to the building on Petrovka in 2005.

Let's go back. On the way, behind the Ministry of Internal Affairs building, we turn into 2 Kolobovsky Lane. Here we see the Church of the Mother of God of the Sign outside the Petrovsky Gate at the Central Internal Affairs Directorate for the city of Moscow.

Returning to the square, before continuing along the Boulevard Ring, we will walk along Petrovka in the other direction.

Two houses away from the square (house No. 25) we see a three-story building with a light beige finish. This is the Gubin House, an architectural monument of the 19th century.

Entering the territory of the monastery, right in front of us we see the Cathedral of the Bogolyubskaya Mother of God.

This is the oldest of the monastery churches, it was built in 1514-1517 (rebuilt in the 90s of the 17th century). The main shrine of the monastery - the relics of St. Metropolitan Peter - is kept here.

Having passed between the buildings of the churches of the Tolga Mother of God and St. Peter, we find ourselves at the stairs leading to the entrance to the Cathedral of St. Sergius of Radonezh.

Under the stairs of the cathedral there is a monastery refectory. It is not closed to the laity; you can come here and taste real monastic food.

Let's go through the arch between the Cathedral of St. Sergius of Radonezh and the monastery wall.

This part of the monastery is currently less reconstructed than the others. Ancient brickwork is visible everywhere, the Cathedral of Sts. Apostles Peter and Paul (pre-1814 Church of Pachomius the Great) has yet to be restored.

Having examined the territory of the monastery, we return to Petrovka. The monastery wall, stretching along the street, is also an architectural monument of the 18th century. These are the Naryshkin Chambers.

On the outside of the monastery (entrance from Petrovka Street) in the chambers there is the Chapel of the Kazan Mother of God and the Literary Museum.

Let's turn into Petrovsky Lane. On house No. 5 we see a memorial plaque stating that the poet Sergei Yesenin lived and worked in this house from 1910 to 1923.

And the next building on Petrovsky Lane is the Theater of Nations (until 1917 - the Korsh Theater, in honor of its founder F.A. Korsh).

We return to Petrovsky Gate Square. Now it's time to move to Petrovsky Boulevard.

Having rounded the building on the right, we find ourselves on the even side of the boulevard. From here there is another picturesque view of the domes of the Vysoko-Petrovsky Monastery.

The building at the intersection of the boulevard and Krapivensky Lane (house no. 10) is an architectural monument of the 19th century - the Patriarchal Compound of Constantinople.